Last night I finally put up the promised images from the Canberra fires of 2003 As I have explained in the introduction to the album, I live in one of the suburbs where residents fought the fires, many losing their homes. After the fires in Canberra on January 18 2003 I spent a few hours each day taking photos of the devastation around me. Every day my partner and myself walked the district and I took hundreds of photos in the months afterwards.
I am not a photographer and at the time could not make sense of why I was doing this. One morning I realised that this activity was my way of trying to make sense of the experience and that there is simply no way to make sense of the tragedy. I haven’t taken a photo in the district since that morning.
However recently I have had the energy and will to start sorting them out. The contents of this album are a few images from the many films I exposed during that time. Some were taken with a digital camera others are film.
Fiber content of most fabrics can be identified by conducting a very simple burn test. Take a small fragment of fabric, and hold in a pair of kitchen tongs over a kitchen sink and ignite one end and let the test piece burn back for a distance of about 2 centimeters or one inch.
Different fabrics will behave in different ways. For instance cotton will burn with a flame, smells like paper and produces a black powdery ash whereas polyester will burn (or splutter and burn) giving off a black flame and produces a hard ridge of ash which has a sheen to it. Wool burns with an orange flame and will smell like hair. Acetate will sizzle and leave a black bead behind.
How do you keep track of this information? Fiber identification charts are online at a number of sources. A Fiber Identification Burn Test chart is useful to have pasted at the front of a visual journal or kept on the studio wall pinboard by anyone who works with fabrics particularly if you want to clean or dye fabrics. Another chart is here and an article from fabric.net should provide most home dyers with the information they need.
If you need to know the meaning of fabric care symbols before you clean a garment Fabriclink have provided a chart. Their stain removal guides are also particularly useful as they have indexed the information according to the stain you need to remove.
Illustration in fiber has long been a contentious issue in the world of art practice. Translating an image into weave is still done today. For instance the Victorian Tapestry Workshop often source their designs from painters and hand weave an image. This practice seen as derivative by some still causes some to argue that since the image making is derivative it is a lesser art. It was the same at the Bauhaus as weaving was seen as “Pictures made of wool” and a craft form that was feminine in nature.
Following on from my previous post I have found this academic article by T’ai Smith about how weaving was viewed, theorized and practiced at the Bauhaus.