Sampler FAQ my Stitch Roll

For many years I have been adding to a Stitch roll or Thread story roll which is a band sampler that I call For the Love of Stitching. I started stitching my band sampler in 1996 and there are many hours of pleasure represented in it. As all stitchers know as you stitch you ponder all sorts of aspects of your life. This stitch roll has definitely seen me through some good and bad times.

Before printed pattern books, embroidery designs were passed from hand to hand. Learning stitches, recording patterns and motifs on fabric for future use was was part of young girls education. This stitched reference resulted in a sampler. Samplers of the sixteenth-century were worked on long narrow strips of fabric which are called Band samplers because they were worked in a long strip or band of fabric. The width was usually between 4-9in (10-23cm) and the length was determined by the loom width of the woven linen cloth. These samplers were rolled and kept as a handy reference in a sewing box. Today we still have band samplers that are often of cross stitch designs but there is another trend of people freeform stitching on strips of fabric. These freeform samplers are called stitch rolls or story rolls.

There are a considerable number of ideas, colour schemes and patterns recorded on my band sampler, along side quotes and autobiographical story fragments. I call it a freeform band sampler, or a story roll.

The For Love of Stitching is 15 cm (6 inches) wide. It consists of different strips of fabric that are stitched together to form one long strip of needlework.

Here you can see it exhibited in 2014 at the Embroiderers Guild ACT exhibition. You can get a sense of how long it is as you can see I trouble fitting it in the frame. Click on the image to see a larger view

How long is stitch roll band sampler?

The For Love of Stitching  stitch roll currently measures 96 feet 5 inches (2,938.78 centimeters), or  32.138 yards which is 29.3878 meters. It is still growing…

Why was the band sampler  made?

For years I have worked samplers as a personal reference and teaching aid. I stored samples in plastic page envelopes in folders decorated with hand embroidery.

Many people use this method successfully but I found I was not referring to the information stored in the folders. I did not reach for them often. When stitching I was more inclined simply to repeat what was familiar and not refer to past experiments. This meant I forgot them.

I decided to try something different with my ‘doodle cloths’ and stitch explorations. I started to work band samplers that were for use as reference rather than decoration. By sheer chance on the first sample I worked I named and signed the sampler.  I had no thought at the time that I would stitch so many samplers! I simply stitched “For the love of Stitching” so later after many years that became its name.

Because I could see my samples I used them as a sampler is meant to be used, as a record of stitches and ideas that can be referred to.

I have found it is easier to travel with them like this. A pile of teaching samplers stored like this are lighter and more compact than being housed in folders.

Why did you stitch them together?

I like to hand out samplers to students in workshops and lectures as people learn by touching. Unfortunately a couple of samplers were handed out, but never came back.

I stitched them together in one long strip so no one could stuff it in their hand bag. At that point my samplers became a stitch roll. To a degree this is a security measure but the other advantage is that odd samples don’t get lost.

What size will it be when done?

I dont know I will stop when I get bored with playing with it!

Is it all hand embroidery?

Yes it is. I love hand embroidery and really it has become an excuse to experiment with and explore stitches.

What fabric do you use?

Normally I use either 25 cnt linen, 28 cnt linen, or Aida but some pieces are worked on other fabrics. Tea towel linen, dress linen, evenweave linen, Aida, hardanger fabrics, Lynda, and dress cotton are all represented in the sampler. Often pieces have been hand dyed or hand painted.

In some cases I  have patchworked together fabrics then used it as the foundation cloth of the sampler. In this photograph you can see what I have done.

I pieced together 25 cnt linen, cotton flanelette, Aida, hardanger fabric, table cloth linen and tea towel linen. All the pieces have been hand dyed by me using procion dyes.

They were scraps and left overs from other projects and I felt I was not wasting anything by experimenting on them.

The tacking stitches down the edge mark the edge of the sampler itself. This helps prevent me stitching into the seam line.

The white fabric along the side is scrap sheeting that I added so I could easily get the strip of fabric on a hoop. After embroidering sampler I trim the scrap sheeting off and then back it.

What thread do you use?

I use a large variety of threads such as wool, silk, cotton, stranded floss, perle cotton, bamboo and so on. Each band is different. I use both commercial threads and hand dyed threads I have dyed myself.

What dyes do you use? 

I use procion dyes on both the fabric and threads.

How did you join and back the stitch roll?

If you want to know more about the process you will find information in how I Extended and backed the sampler in this article where I photographed the whole process.

Do you plan your stitch story roll?

To be honest sometimes a plan a little the other times not at all.

I try and keep things as simple as possible because I have found the more complex the project becomes the more I am less likely to do it. I will either look at it and think it’s all too much, or start it with a flurry of enthusiasm and then tire of it and I then have a UFO on my hands.

So with my sampler there is no rules. I change, fabric, stitching style, colour, thread type whenever it feels right and call it freeform improvisational samplering for a reason and it suits me. I journal on it when I feel like it and not when I dont. The only rule I have is its width. In other words in my head I say I am going to stitch a sampler 6 inches wide.  That is it! I decide everything else as I go.

Why is the band sampler 6 inches wide?

My band sampler is 6 inches wide because in my hand a 8 inch hoop feels the most comfortable. While on the hoop the actual fabric is about 9-10 inches wide. I use a hoop or occasionally I put the sampler on a small stretcher.

Deciding what width the sampler is important because it is about what feels right in your hand. If you are thinking about one of these types of samplers my tip is to choose a width that you can easily experiment on. You need to be able to stitch a bit, then move on as you don’t want the sampler so wide that it takes an age to cover the area and you are tired of it after a row! Give yourself the opportunity to experiment, enjoy it then try something else, enjoy it and move on again – painlessly!

Choose a fabric width that allows for a hoop that feels right in your hand. Many people make the mistake of choosing a hoop that is too big. Some hoops will feel to big others will feel cramped so choose a hoop sixe your hand is at ease with. Try a few scrap cloths and just see what feels right. I find an 8 inch hoop is about as large as I want which means a 6 inch sampler width is good.

Once you have decided the hoop size subtract 2 inches from the diameter. So if you choose 8 inch hoop – make your sampler 6 inches wide. If you choose a 7 inch hoop make your sampler 5 inches wide. What ever width you decide on you will need a few inches of fabric either side to allow for the hoop. It’s not complex or difficult or mysterious. It is simply the width of the sampler plus a few inches so I can hoop it.

Then my freeform band sampler became a Story Roll

The sampler marks incidents or moments in history in text.

Discovering that what is recorded becomes more interesting over time I have continued to mark events and personal history as it happens.

For instance above is a sampler I made after the 2009 Bush Fires in Victoria (Australia).

This section of the stitch roll, made in the Autumn of 2009 records what was in the news at the time. I listen to the radio as I stitch and it seemed to me that all the conversation was about Peak oil, Climate change and the ongoing global economic crisis.

I live in Australia so our Autumn is March and in that month there is also St Patricks day and we observed earth hour.

As readers can see this long band sampler has become more than a  record of stitches and techniques but over time has become a contemporary freeform journal sampler as well.

Links to articles about each section:

All posts in the series are in the category  the Love of Stitching Band Sampler.

Index to the sections

Sections 1 and 2, sections 3 and 4, section 5, section 6, section 7, section 8, section 9, section 10, section 11, section 12, section 13, sections 15-24, section 25 , section 26, section 27 , section 28, section 29, section 30, section 31, section 32, section 33, section 34, section 35, section 36 and section 37, section 38, section 39, section 40 , section 41 and section 42 , section 43, section 44, section 45, section 46, Section 47, section 48 section 49, section 50 section 51,  (with more to come)

As I stitched this section I realised how much of a journal/autobiographical story the sampler had become.

Is this sampler the longest in the world?

Readers ask if this is the longest sampler in the world. My stitch roll  might (and I emphasise might)be the longest stitched by a single person.  Other stitchers have made very long samplers and story rolls too.  It is not the longest band sampler in the world by far.  The UK Embroiderers’ guild holds the record. You can read about it here
“With the help of over 7,000 participants of all ages and abilities from all over the world, the Embroiderers’ Guild are proud to announce that they have set a new Guinness World Record for stitching the “longest embroidery” at 605.55 metres (1,986.77 feet).”
With 7,000 people stitching it certainly is an amazing community based project. The Longest embroidery in the World is hand stitched but not an individual project but something a group of people did together.

 

Thread Twisties!

Experimenting with different threads can be expensive, as you would normally have to buy a whole skein of each type of thread. So I have made up my thread twisties which are a combination of different threads to use in creative hand embroidery. These enable you to try out stitching with something other than stranded cotton. For the price of just a few skeins, you can experiment with a bundle of threads of luscious colours and many different textures.

These are creative embroiders threads. With them, I hope to encourage you to experiment. Each Twistie is a thread bundle containing silk, cotton, rayon and wool. Threads range from extra fine (the same thickness as 1 strand of embroidery floss) to chunky couchable textured yarns. All threads have a soft and manageable drape so that twisting them around a needle makes experimental hand embroidery an interesting journey rather than a battle. All are threads I use. You may find a similar thread twist but no two are identical.

You will find my thread twisties in the Pintangle shop here.